In 2012, Amy moved to Deer Isle from Boston, leaving behind a partnership in a large architectural firm to pursue painting full‑time. With that transition came a shift from representational imagery to abstraction—an approach that, for her, more fully expresses and evokes the emotional core of a subject. Rather than depicting what something looks like, she is drawn to conveying its meaning and the feelings it stirs. Her architectural background continues to shape many of her pieces, lending a sense of order, yet that structure is softened and reshaped by her experience of the Maine coast, where raw beauty and natural irregularities inevitably find their way into the work.

In a time of increasing speed, fragmentation, and complexity, painting allows her to slow down, pay attention, and rediscover meaning and beauty. Her work explores the ways the external world reflects into her inner landscape, inviting viewers to experience the meeting of the two—an encounter that is at once deeply personal and quietly universal.